My Rainforest Monastery
This December marks the six-year anniversary of my moving to the small piece of land in the Hawaiian rainforest I call home. As I am drafting this newsletter, it is sunny and warm, and I’m sitting in a simple eight-by-twelve structure with pink walls, mosquito screens, and a sturdy metal roof; a painting by one of the Hierophant authors I’m working with sits on a shelf made out of a rough, old board, and a motley assortment of new and salvaged solar equipment hums in one corner. A few minutes ago, one of my neighbors stopped by with some ‘awa to share, a traditional Polynesian beverage brewed from the roots of a knobby-limbed plant with heart-shaped leaves, and we drank it together on my front porch. Living here has brought me a sense of peace, contentment, and belonging unlike any I have known in my life.
Today, I would describe the simple homestead I’ve built as a kind of monastery: a place characterized by natural beauty, solitude, quiet, and humble manual labor. The challenges of living in such a remote location have profoundly altered my body and mind, such that no aspect of who I am has remained untouched by this wild and willful place. I’ve learned to value the simple things: shelter, water to drink, fruit to eat, the presence of kindly neighbors, the opportunity to be of service, and accepting help from others in return. Perhaps most astonishing have been the lessons this place has taught me about surrender. On stormy days, it isn’t possible to leave this land bounded by rivers and streams and a crashing ocean; you quickly learn that your own will comes second to that of nature, and that existing happily here means embracing that reality.
With all this being said, you may be surprised to learn that when I first moved to this land, I experienced it not as a temple, but as a prison. Six Decembers ago, my then-partner was in the throes of a manic episode; he had decided that uprooting our lives in California and going to live in the jungle was the only cure for what ailed him. At his insistence, and in great haste, we bought the land sight unseen. The first time I laid eyes on the muddy, lightless thicket that was to be our new “home,” I cried.
My objections to this move were numerous. I didn’t want to live in a tent, with mosquitoes, geckos, and spiders, when I was used to living indoors; I hated the way the thick mud and relentless rain saturated my clothing, which were then impossible to dry; I was conscious of being an intruder in a place and culture to which I had no ties. With no cell service, internet, or electricity, I couldn’t even phone my friends on the mainland. Meanwhile, I was so desperate to go “home” that I resisted making new friends, as that would only make this nightmarish situation seem more permanent.
While my partner reveled in our new and exciting surroundings, I boiled with anger and sadness, refusing to take joy in anything. I hated the valley, with its dangerous roads and rivers; I hated the roosters which woke me up at 4 AM, and the tiny frogs whose chorus screamed into the night; I hated the tent, whose walls flapped in the wind, and which offered no protection from falling branches and no privacy from the strangers strolling past on the trail nearby.
Deep in depression, I decided my life was over. I had always wanted to be a writer, and had even published four books in happier years. Now, on a trip back to California to collect the last of our belongings, I took every journal I had ever written, starting from age eight, and dumped them all into a trash can, along with the half-filled bags of expired rice and car repair records I’d cleaned out of our old place that morning. As I pushed the thirty-odd journals and notebooks to the bottom of the can, I told myself that I would never write again.
Several months ago, I had the pleasure of editing My Good Friend the Rattlesnake: Lessons of Loss, Truth, and Transformation by don Jose Ruiz. Part memoir, part collection of teaching stories, My Good Friend the Rattlesnake is organized around a central question: how can we learn to control our own poison—the negativity, anger, and false beliefs which can be so damaging to ourselves and others?
In Chapter One, Ruiz writes: One of the most important things you learn when you live in rattlesnake country is that baby rattlesnakes are far more dangerous than adult ones. This is because when a rattlesnake is young, it hasn’t yet developed the ability to control its poison. If a baby rattlesnake were to bite you, it would inject all its poison in one go, and you would be far more likely to die. Once a rattlesnake grows and becomes an adult, however, it learns to control its poison. If an adult were to bite you, it may only release a small amount. This makes your chances of survival much greater.
He goes on to recount his long and twisting journey from a baby rattlesnake to an adult one, including some never-before-told stories of the years he was addicted to crystal meth, and during which the stakes for learning to control his poison were literally life and death. Like many of us, he clung to his own pain, holding tightly to the identity of “victim” and “junkie,” while keeping the friends and relatives who were desperate to help him at arms’ length. During one of the most emotional moments in the book, Ruiz’s best friend Emilio confronts him at his home in Tijuana after a particularly destructive binge, saying, “You know, gallo, if you stay here, you’re gonna die.” Lucky for all of us, Ruiz listened and left.
Looking back on my early days in Hawaii, I can see that like Ruiz, I had a lot in common with a baby rattlesnake. When faced with a set of circumstances I didn’t like and hadn’t chosen, I made a pact with despair. When I put a lifetime’s worth of journals into the trash can, I told myself that I was reclaiming some small bit of agency: by destroying something I cherished, at least I was taking back a little control. Sure, the poison I’d unleashed was hurting me, but that felt better than facing a complete unknown.
Luckily for me, I, too, had a friend like Emilio. Later that morning, my old music teacher stopped by. When I told him what I had done with my notebooks, he insisted I take them out of the garbage and bring them back to Hawaii with me. “Why bother?” I said. “They’re just going to get ruined in the tent.” At that moment, I couldn’t imagine a future in which I was living happily on the land, any more than don Jose could imagine the life he presently leads, complete with puppies, hard rock music, vegan treats, and a role as a beloved author, teacher, and speaker.
Today, the journals I once attempted to destroy live on a shelf in the small cabin I built with the help of a neighbor. Over six years of living here, this place has taught me much about controlling my poison. When the river is high, when the mosquitoes are biting, when the hurricane winds blow, and when one more thing needs repair just when I finished fixing something else, I know there is no sense in giving into despair, frustration, or self-pity. Instead, I do what I can to make myself comfortable, whether that’s brewing a cup of tea, listening to music, or just sitting still.
Although I’m not sure I qualify as an adult rattlesnake quite yet, I think that after living on my homestead for so long I might finally be growing into a teenage one. I’ve learned that the darkest of times can give way to the brightest of days, and that first impressions of a place or situation can be deceptive. I’ve also learned that when a negative or despairing voice feels like “myself,” I should treat it with a whole lot of skepticism, and refrain from giving it control over my supply of poison. As don Jose writes: No matter what kind of self-destructive path you have been on, there is always a part of you that wants to live—a tiny seed that wants to grow and thrive. And no matter how many negative thoughts you have in your mind, this tiny seed knows its own worth.
This December, as we pass through the darkest time of the year, I hope you all feel the presence of this tiny seed in your own hearts. A rattlesnake can be a fearsome foe, or it can be a good friend—and the difference is the skillfulness with which we approach it, the respect with which we treat it, and the reverence with which we hold it every day.
Sincerely,
Hilary T. Smith
Senior Editor, Hierophant Publishing
Few understand the difficult work of overcoming trauma, abuse, and addiction better than don Jose Ruiz.
In My Good Friend the Rattlesnake, Ruiz, now a bestselling author and spiritual teacher, reveals the dramatic twists and turns he experienced on his own path to personal freedom and inner transformation.
Through this series of deeply intimate stories, Ruiz explains how he overcame his addiction to suffering and embraced a life of love, clarity, and self-awareness. In one example, he recounts his unexpected journey with temporary blindness, which paradoxically allowed him to see what truly mattered. In another, he celebrates individuality in spiritual practice, challenging the idea that it must look or sound a particular way to be authentic.
Throughout, Ruiz incorporates the teachings of his father, don Miguel Ruiz (author of The Four Agreements). The lessons he shares are practical, profound, and accessible, making this book an essential companion for anyone seeking spiritual growth and emotional healing.
Honest, vulnerable, and rich with exercises and meditations, My Good Friend the Rattlesnake redefines what it means to heal, grow, and live authentically.